![]() ![]() At the time, Beksiński claimed, "I wish to paint in such a manner as if I were photographing dreams." ĭespite the grim overtones, Beksiński claimed some of his works were misunderstood in his opinion, they were rather optimistic or even humorous. ![]() ![]() These detailed works were painted with his trademark precision. This is his best-known period, during which he created disturbing images, showing a gloomy, surrealistic environment with detailed scenes of death, decay, landscapes filled with skeletons, deformed figures, and deserts. ![]() In the late 1960s, Beksiński entered what he himself called his "fantastic period," which lasted into the mid-1980s. He soon became the leading figure in contemporary Polish art. īeksiński undertook painting with a passion, working intensely while listening to classical music. Fantastic Realism Īn exhibition of Beksiński's works organized by Janusz Bogucki in Warsaw in 1964 was his first major success. Beksiński listened to classical music while painting. His paintings were mainly created using oil paint on hardboard panels that he personally prepared, although he also experimented with acrylic paints. He was a graduate of the Faculty of Architecture at the Kraków Polytechnic, receiving an MSc in 1952. Beksiński had no formal training as an artist. ![]()
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